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- Autorius: Algė Andriulytė
- Leidėjas: Vilniaus dailės akademijos leidykla : Lietuvos nacionalinis dailės muziejus
- Metai: 2022
- Puslapiai: 296
- ISBN: 9786094473708
- Formatas: 20,5 x 27 x 2,5 cm, kieti viršeliai
- Kalba: Anglų
- Extra -10 % nuolaida šiai knygai su kodu NORIU10
Atsiliepimai
Aprašymas
The best-known of Ruszczyc's mature works, such as Nec Mergitur (1904–1905), immediately strike you with the knowledge that this is the artist we know so well, but the large number of his other works show that we hardly know anything about him. Then you feel gratitude to the author of the book for providing us with the chance to get acquainted
with this important artist, an acquaintance that is full of surprising stories. You open the book expecting to find the story of the life of one person, but you get another ten stories: a story about the search for the Royal Crypt in Vilnius Cathedral, a story about the coronation of the painting of Our Lady of the Gates of Dawn, and a story about the design and use of graphics at Stephen Báthory University. Such deep and broad studies are important not only to art historians but to everyone who opens the book, if only to help us understand how art is connected with everyday life.
EXTRA 10 % nuolaida
Kupono kodas: NORIU10
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Nuolaidos kodas galioja perkant nuo 10 €. Nuolaidos nesumuojamos.
- Autorius: Algė Andriulytė
- Leidėjas: Vilniaus dailės akademijos leidykla : Lietuvos nacionalinis dailės muziejus
- Metai: 2022
- Puslapiai: 296
- ISBN: 9786094473708
- Formatas: 20,5 x 27 x 2,5 cm, kieti viršeliai
- Kalba: Anglų
The best-known of Ruszczyc's mature works, such as Nec Mergitur (1904–1905), immediately strike you with the knowledge that this is the artist we know so well, but the large number of his other works show that we hardly know anything about him. Then you feel gratitude to the author of the book for providing us with the chance to get acquainted
with this important artist, an acquaintance that is full of surprising stories. You open the book expecting to find the story of the life of one person, but you get another ten stories: a story about the search for the Royal Crypt in Vilnius Cathedral, a story about the coronation of the painting of Our Lady of the Gates of Dawn, and a story about the design and use of graphics at Stephen Báthory University. Such deep and broad studies are important not only to art historians but to everyone who opens the book, if only to help us understand how art is connected with everyday life.
Atsiliepimai